"When I saw Elephant Château‘s record at a car boot sale, all these memories came back to mind. Many elements made this record likeable at first sight, from the Peter Saville-esque artwork, to the surrealist name of the band and the highly evocative ones of the label and the songs. When I listened to the record, the music matched both my expectations and the setting perfectly (a sunny field in the middle of the French countryside): an otherwordly voice speaking about pink flamingos, backed by a nagging rhythm machine pattern and soon joined by an ethereal choir and a nonchalant saxophone.
Retrospectively, what might be the most important thing about this record – apart from its quality – is how much of a snapshot of Zürich‘s alternative scene in the late 1980’s it is. Produced by Zürich-based artist Christof Vetsch (who, I assume, is the brother of Elephant Château‘s Johannes Vetsch), the members of the band all played on other musical projects from the Swiss city, some of them released on BOY (on which was also released Elephant Château‘s LP), a sublabel of the influential RecRec Music (home to UnknownmiX‘s albums). Even the picture on the cover reminds us of the Swiss origins of the band, a painting by the country’s « national painter », Albert Anker." - via Okonole y trompa